Daqueles que nos ensinaram a ver

André Kertész, Chez Mondrian, Paris, 1926

I went to his studio and instinctively tried to capture in my photographs the spirit of his paintings. He simplified, simplified, simplified. The studio with its symmetry dictated the composition. He had a vase with a flower, but the flower was artificial. It was colored by him with the right color to match his studio.

André Kertész, Kertész on Kertész